Developed by Practice

But let us return to the same thought with which we started, namely, that we should not accept everything without discrimination, but only what is useful. For it would be shameful should we reject injurious foods, yet should take no thought about the studies which nourish our souls, but as a torrent should sweep along all that came near our path and appropriate it. If the helmsman does not blindly abandon his ship to the winds, but guides it toward the anchorage; if the archer shoots at his mark; if also the metal-worker or the carpenter seeks to produce the objects for which his craft exists, would there be rime or reason in our being outclassed by these men, mere artisans as they are, in quick appreciation of our interests? For is there not some end in the artisan’s work, is there not a goal in human life, which the one who would not wholly resemble unreasoning animals must keep before him in all his words and deeds? If there were no intelligence sitting at the tiller of our souls, like boats without ballast we should be borne hither and thither through life, without plan or purpose,

An analogy may be found in the athletic contests, or, if you will, in the musical contests; for the contestants prepare themselves by a preliminary training for those events in which wreaths of victory are offered, and no one by training for wrestling or for the pancratium would get ready to play the lyre or the flute. At least Polydamas would not, for before the Olympic games he was wont to bring the rushing chariot to a halt, and thus hardened himself. Then Milo could not be thrust from his smeared shield, but, shoved as he was, clung to it as firmly as statues soldered by lead. In a word, by their training they prepared themselves for the contests. If they had meddled with the airs of Marsyas or of Olympus, the Phrygians, abandoning dust and exercise, would they have won ready laurels or crowns, or would they have escaped being laughed at for their bodily incapacity? On the other hand, certainly Timotheus the musician did not spend his time in the schools for wrestling, for then it would not have been his to excel all in music, he who was so skilled in his art that at his pleasure he could arouse the passions of men by his harsh and vehement strains, and then by gentle ones, quiet and soothe them. By this art, when once he played Phrygian airs on the flute to Alexander, he is said to have incited the general to arms in the midst of feasting, and then, by milder music, to have restored him to his carousing friends. Such power to compass one’s end, either in music or in athletic contests, is developed by practice.

Basil the Great

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